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Kings County

Istanbul art

Wallpaper*

Screen shot 2010-11-02 at 22.42.39

Raffles London

W Hotel Budapest

Thompson Houston

Joana Vasconcelos’ Wedding Cake 

Hotel Marcel, Connecticut 

Roger Ballen in Johannesburg

Mercer Hotel

Counter Culture LA

More New York real estate

Kate Banazi

Seaport 1

Kenya Hara and Airbnb

Gigi Cifali

IDC Herzliya

Ward Roberts 

Pieter Hugo

Ugo Rondinone

Antony Gormley

Andy Warhol 

David Hockney

Verre Lumiere 

Gerard & Kelly

Roberto Burle Marx

Mosekwa Langa

Container Artist Residency

Nasreen Mohamedi

Paul Matter Studio

Elmgreen & Dragset

Malick Sidibe

Elaine Cameron Weir

Glenn Lidon

Moss and Lam

Qiu Xiaofei

Zander Blom

CY House Jerusalem

Adam Pendleton

Frank Stella

African essence

Galeria Nara Roesler

Mawande Ka Zenzile

Naama Roth

Hotel Montefiore, Tel Aviv

Lior Modan

Jonathan Freemantle 

Ramon Airport Israel 

Riad Mena Marrakesh

Museo Jumex

London pork buns

The Marlton

Viceroy & Cabrito

Wonderlust Travel

Are the airlines profiting from their cancelations?

Gift Guide 2023

Joshua Tree

St. Louis

Not your average Joe

Travel is heinous right now

Folktale Provisions

Gulf Coast, Mississippi

La Paz, Mexico

How Gay Is The Planet?

Belize

Montreal

Ian Schrager

Reload, Cape Town

Boarding House, Cape May, NJ

Bridgehampton, NY

Brownsville Roasters, NY

Obama Presidential Center, Chicago

Hewing Hotel, Minneapolis

Coffee in Serbia

Turkey 

Eataly

Travel Books

Interesting restaurants in the world 

Stop the Hot Lists, please

Musette Vancouver 

Coffee brothers

Forty Weight Coffee 

I, Concorde

Burma 

South Africa 

Bhutan 

Handmaid’s Tale

Blacksonian 

Estonia fairy tales

Bill Murray

Winter Park, Florida

Madeira

Coffee and travel

Traveling better

Luxury is a lie

Stop reviewing everything!

No one is an expert 

Thrill us all

South China Morning Post

Luxury chocolate

Oysters

Portman architects

Azores

Chinese Billionaire Polo

Pierre Charpin

Flying private

Oki Sato – Nendo

Unexpected travels

Tech in travel

Luxury trains

Bolivia

Private islands

Conservation billionaires

Golden era of coffee

Air of opulence

Royal warrant

Volcanic Wines

Hands of Time

Art is engineering

Hats off

Snowboarding

Kelly Wearstler

Glamping

Ju Ming

Chris Gelinas

Cars and Women

Scent 

Cecil Balmond Southern Delights Science is being served Bloc Party

Sawubona

Sawubona_July-2013 (dragged) 1

May 2017

April 2017

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December 2016

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March 2015

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January 2015

December 2014

November 2014

October 2014

September 2014

August 2014

July 2014

June 2014

May 2014

April 2014

March 2014

February 2014

January-2014

A tale of three cities

Global Eye December

Global Eye November

2 min with… November

Sensual Tips November

Global Eye October

Global Eye September

On the go: Reyjeane Haroun

Global Eye August

The Dog’s Bollocks

On the go: Mark Witney

Global Eye July

Global Shopper June

Everyman Espresso

June Global Eye

May Global Eye

Travel tips

African fashion

Coffee

Washington DC

 

For the sake of social media

Whether social media can be a stand-alone, and if it can truly affect change.

Let’s say that Malcolm Gladwell’s proof that social media is only functional if it “deciphers some historic collective action dilemma” is essentially flawed. Gladwell wrote in The New Yorker, last October, that social media is rather irrelevant to the greater scheme of things. Which “things” I have to question. As a dilemma should be reserved for reference to a predicament in which a difficult choice must be made between undesirable alternatives. Social media’s basic function of connecting and disseminating information need not be functional beyond the obvious. Of course the debate whether anything is ever truly not part of collective action is now revealed. But that aside try seeing social media as an unlacing of culture and expanding of current affairs in real time.

So let’s for argument’s sake first look at politics and the success of the notorious Obama 2008 campaign – a seemingly unqualified minority taking power of a country desperate for leadership. Partial success of this campaign lay in the clever usage and smart strategic consumption of social media. This is not to say that politics’ involvement in social media is or isn’t now part of this so called “historic collective action dilemma”. But unarguably part of the greater scheme of things – when it comes to political and social activism.

The New York agency Droga5 was briefed by the Obama 2008 campaign to help win a critical swing vote in Florida. Insight showed that the elderly Jewish voters In Florida were a) not coming to the polls and b) unaware of the many ways to vote. The campaign was called The Great Schlep and involved tech savvy teenagers (armed with their social media) to get their grandparents to vote. And the results show 25 000 kids signing up and the highest elderly Jewish vote in 30 years to come out of Florida. Surely this is exactly how social media plays a role in activism?

More recently the newly appointed Italian Prime Minister Mario Monti, affectionately known as Super Mario, could potentially use social media to win over the hearts of a boiled and strung out economy, like Italy, and potentially aid in the saving of Europe, but he also may not. Surely that in could play a role in activism. And, member of the Afghanistan parliament Fawzia Koofi talks about her people looking for “mobilisation and support”. What better way to encourage, promote and activate these needs than through social media – an enkindling of belonging and an inherent support structure, albeit online for the time being.

Social media has less of a guarantee than what was previously imagined, or potentially yearned for. An agony aunt column or a reservoir for flinty ranting can often appear, dissolving its ability to be seen as useful. Joel Stein, in Time (February, 20, 2012) raises the idea that Facebook was created to make you jealous – so-and-so has more friends, better holidays, sexier dates or better looking children. So then what then makes social media worth the effort, what makes it such a great campaign focus for clients, what propels its use, where can it all end? These are valid inquiries raised by clients, brands and users all the same. In a time where a reticent way of life has been replaced by an exhibition lifestyle and the phrase TMI (Too Much Information) is the unofficial cry, a new value system has come to fruition.

Do we then Tweet just to say hi or can be substantial and can it affect lives.

It sure did in Egypt’s Tahrir Square last year as the dictator Hosni Mubarak sunk. However, Gladwell disagrees and dismissed the impact of social media as “not real activism”. He was calling it a sort of “slacktivism”. His opinion is that social media cannot make a change in the “real world” and just promotes togetherness of some kind online, or in a virtual world. So is social media obsessed with trivialities (“I ate a poptart” Paris Hilton tweets in 2011) for the sake of fellowship or can it impact real change in human filament. The truth is by clicking “Like” for a social cause or a brand may not constitute real support but on the other hand it may just. And that is better than previously when PR agencies spent their time possibly aimlessly educating and building awareness, as part of that job is now done and the focus can move to truly creating content that facilitates value.

Gladwell goes on to say he does not “see the absence of efficient tools of communication as being a limiting factor on the ability of people to socially organize”. Well no, obviously not as we look at the colossal movement Occupy last year. A simple viral campaign that led to non-traditional connections and unity in New York (and other cities world-wide). And then Gladwell argues that social media is an “as well as” opposed to an “instead of” softening his blow on social media completely. As the case with Tahrir Square and Occupy social media was not unassisted by “real world” activities but as sociologist Zeynep Tufekci says collective action and information cascade drove the fight from the safety of virtual and onto the streets with a social momentum.

In agreement with Wired magazine’s opinion that “strong ties” are not necessarily made online: but if the cause is great, or if the brand is greatly loved, a unity will naturally emerge. Thus promoting public relations (and its ability to create and manage content and reputation) as a new kind of superhero.

PR, as an arm of communication, is at the cutting edge of communication as the doyenne of adding knowledge to the greater industry and actualising this knowledge. By emerging itself into the very material of social media, PR is joining the dots with traditional communication by generating content relevant to the times and the needs of a greater society (which includes clients).

The social landscape has reshaped: blogging is no longer just for the proverbial geek; podcasters and YouTube are gaining viewers every minute of the day; Google is the go to place for most onliners; Twitter is now the locus for real time news; FourSquare and Facebook continue to gain traction as information givers; and Quora might be the new face of journalism. PR plays a role in every single part of this shake up: managing the delicious resources.

Social media propels the cause, promotes the cause and then ultimately supports the cause but the cause starts from a deeper place within us, the citizens of the world. As online and offline starts to unify the expression of the cause are synonymous. Social media encourages the fight, the cause, the essence to not remain online but to betake itself somewhere meaningful on and offline. That by its very nature is truly affecting change. Social media might be solo only in aspects of its triviality but without fails aids in a new revolution, a change, that is journeying across the globe. A journey that communication professionals will have to take out their protest posters and loudspeakers and come rally for.

Edge

Smokefall

We’ll Always Have Paris

Dining at London’s Centenarian Hotels

To Pitch it or Not To Pitch

Ghurka

A House in the Sky

Subtle Bodies

Enon

Someone

Love Is All You Need

The Reluctant Fundamentalist

Raising My Rainbow

The Affairs of Others

Night Film

My Education

Epic

The In-Between

Scatter My Ashes at Bergdorf Goodman

Damages

Love All

The Son

The Faraway Nearby

Stevie Nicks

The Ageless Generation – How Advances in Biomedicine Will Transform the Global Economy

American Savage

Transatlantic

Christine Quinn

And the Mountains Echoed

More Like Myself

Mr Selfridge

Natasha, Pierre and the Great Comet of 1812

Questions of Travel

Shocked_ My Mother, Schiaparelli, and Me

The Enchanted Wanderer And Other Stories

James Salter

If It Were You We’d Never Leave

Jerome Robbins at the New York City Ballet

Man Up! Tales of My Delusional Self Confidence

Turtle Hill, Brooklyn

The Enchanted Wanderer And Other Stories

Orphans

Stuck In The Middle With You

Macbeth

Benjamin Scheuer

The Assembled Parties

My Way – Paul Anka

California Childhood – James Franco

The Big Knife

Hyde Park on Hudson

Giulio Cesare

Kelly Oxford

Mosquito

Motown The Musical

Men At Work

Most Talkative – Andy Cohen

Why Be Happy When You Could Be Normal

Daniel Day-Lewis

Forever Young

Fist Me!

Hit the Wall

Rent Boy The Musical

Rust and Bone

Smashed

The Flick

Jesus Henry Christ

NY Episcopal Church Oks same sex marriage rites

As You Like It

How To Make It In America 

The Sin Warriors

Hate Crimes in NYC

How Obama’s Pro-Marriage Equality Stance Is Bridging the Enthusiasm Gap

Too Big To Fail

Fourplay

Worried About The Boy

A Fun and Sober Pride With NYC Queer & Sober

Web Therapy – The Complete First Season

Lily Of The Valley – Funeral Suits

The Letter Q_ Queer Writers’ Notes to their Younger Selves

Know Your Status

Laura Osnes at The Carlyle

Liza Minnelli to Judge NYC Queer & Sober’s Mr

Starbucks, foursquare and (RED) Team Up for AIDS Funding

Burlesque at the Beach

NRG Diva

California Dreamers

Cock

New York’s Leslie-Lohman Named World’s First Gay Museum

Desperately Seeking the Exit

The Common Pursuit

An Early History of Fire

A Streetcar Named Desire

The Merchant of Venice

Condoms Are Cool

A Midsummer Night’s (Queer) Dream

Ethan’s People

Hair

Post Modern PR

“Post-modernism is modernism after the blow stopped hurting” (Once overheard in a chatroom)

The oracle of post-modernism Friedrich Nietzsche at the turn of the previous century, around 1880, philosophised that an emerging nihilism is creeping into culture and in specific into western society. This in turn gave rise to hard-core perspectivism for over the last 100 years – inevitably partial to interpretation in the very same way content is effectively judged and analysed with an air of scepticism across all media platforms. Where does this information come from? Is this information credible? Those are questions, with absolute validity, that comes off post-modernism.

So if PR, as we know it today, is the professional maintenance of image then post-modern PR is finally a departure from behaving, or as the industry likes to call it “strategising”, in a specific and expected way. But of course with an essential tone of critique or let’s call it dubiety. Post-modern PR will then deliberately mix styles, the media and certainly ideas, whilst evaluating and appraising them. And bang-up ideas at that. A bottle of the finest wine is assessed and blended right? So with that in hand…could there be a better way to build your brand or maintain its image?

The essence of brand building according to Al & Laura Ries (The fall of advertising & the rise of PR, 2002), 10 years ago, was to provide content for the media to build the brand. So based on what we know from Nietzsche and Ries we can infer that now more than ever in a sense of evolution reasonable and feasible content amplified in fusion is where the value lies. This value we speak of relate to the client’s needs, the brand’s desires and the compatibility of the two.

The post-modern situation is for the human mind, by its very nature, complex and ambiguous and stands fierce in its essence that subjectivity is determined by a profusion of considerations. In this argument therefore the quest for knowledge is self-revising – one simply has no other option but to try out and try out again to learn from mistakes. And so with an uncomfortable strain a post-modern absolute of critical consciousness surfaces whereby the gun is bent back onto post-modernism. Visionary speculation is under attack.

Post-modernism suggests that impressive theories are not to hold credence but that trial and more trial and a return to multifarious elements are more likely to be honest and eventually, successful; however in the obsession with credibility within PR strategy in 2012 this could seem daunting if not vacillating.

But that’s exactly where post-modern PR as a concoction of strategy, creativity and common sense (in the past these were often lightly smeared) and as the torchbearer presents itself with credibility. Credibility is a standard of carrying trust so how better to build trust than to cover all the bases with enormous consideration. Suggesting that post-modern PR integrates value-adding elements but does not take itself too seriously. Thus giving way for more authentic work and content that is less artificial, inherently uncontrived, truly wholesome and promotes ingenuity in making space for public relations, or communication, as it should be. The pitfalls of wasting campaign budgets, in-house energy and the media’s time can be avoided by simply allowing communication (and related content) to spontaneously emerge, flow from a place of creativity and then be evaluated thoroughly by an intended objective communication professional.

In the 21st century this translates into integrity, trustworthiness and dependability. A far more plausible orbit for PR, than perhaps some of the forced strategy and content of the past that communication professionals so easily let slip into the ether.

Living Your Brand

Tribeca Film Festival Week 2

Foraging

Tribeca Film Festival

Aesop

Malin+Goetz

Crosby Street Hotel

Watch – the cost and the craft

It’s OSCAR night baby, and it’s all glam 

Eating like it’s 1845

Cars and Watches

The flying of art

And then there was a dazzle

Geneva shows some flesh at SIHH

What makes an experience sumptuous

And the time is

Albertus Swanepoel

Sao Paulo’s finest

What’s in a lounge

Luxury in emerging economies

The Alpina Gstaad

Berlin – Land of milk and honey

London’s Marlborough Contemporary

Luxury is about time

“Skyfall”- more luxury to come

Richemont represents

Brad Pitt for Chanel no 5

Train travel and its plenteousness

Luxury is about the narrative

Mondial Automobile Paris shows a little teeth

Luxury is going under

Growth in luxury beauty products

A New Luxury

South African Luxury Consumers

The mystery of living your brand

Where is This Luxury Lifestyle

Luxury brands claim social video